SAKAI CITY, Japan — We heard it the moment we entered the building—a faraway rumbling like distant thunder. The sound—a rhythmic badum badum badum—grew louder as we walked through the snaking corridors of the Mihara Bunka Kaikan, a nondescript theater in the heart of this city in the Osaka prefecture. There was something urgent about the beat, like it was enjoining us to hurry on toward it.
So we did.
By the time we reached the source of the sound, some members of the Japanese drum ensemble Wadaiko Miyako were already deep into practice, furiously pounding away on taikos (drums) of various sizes, creating a seismic sonic assault so powerful and massive it shook us —visiting journalists from ASEAN countries—out of our Saturday morning lethargy.
“We don’t usually practice on Saturdays,” Gaku Yano, the group’s 61-year-old mentor, told the foreign guests through an interpreter. “We practice on Wednesdays and Sundays, but today you are our special audience.”
That group was also rehearsing for Sunday, when they were scheduled to headline the Sakai ASEAN Week Cultural Festival, a morning-to-afternoon show outside the Hotel Agora Regency Sakai that showcased cultural song and dance performances from participating ASEAN countries, including the Philippines.
But the 10 young members of the Wadaiko Miyako—including one who, at the time of the interview, was visibly pregnant—were looking beyond Sakai and Sunday.
“It would be an honor to perform overseas someday,” said the group’s 29-year-old leader Haze Shote, taking a break from the rehearsal to chat with the foreign visitors. Although the group is primarily based in Sakai, they have stirred enough buzz to land them out-of-the-city gigs.